A Year in the Making: The Story Behind The Fat Lady - She Just Wanted to Be Called by Her Name

I can’t believe that in just 20 days, it will be one year since we shot the first day of The Fat Lady - She Just Wanted to Be Called by Her Name.

"Shouldn’t it be ready by now?"

"Didn’t you plan to premiere it last year here in Indy?"

"Weren’t you going to submit it to film festivals this year?"

Trust me, I would have loved to follow the original plan. But here's what I've learned these last 3 years: Plans are important, but letting go and trusting the Universe, God, or whatever source you believe in is just as important. 

As someone who tends to control everything (and I mean EVERYTHING), letting go has been tough, but I'm learning. Slowly. 😅

The journey hasn’t been easy—believing in myself to make this film happen, finding resources, building a team, and overcoming two cancers within two years. I’d say I’ve done pretty good so far.

This image was taken today as I’m (re)starting to look over the first draft that the beloved Rafael sent me in June—right before I had to pause everything due to unexpected surgeries. When I saw it again, even without color correction and other final touches, I couldn’t help but tear up. It’s just... amazing.

Indie film is for the brave. It’s for those who want to shake the status quo and make a difference by telling stories that are sometimes hard to tell.

Yes - You can still help finish it. Donate now!

From Film Scores to Inspiration: The Music of The Fat Lady

Music has always been a part of my life—not just for the fun and simple pleasure of listening and singing along, but because my dad was a musician and music producer. So, my understanding of music goes beyond that; he would talk to me about legends like Henry Mancini and Quincy Jones. We’d discuss music created for films and TV, and I was always fascinated by it. In fact, I would buy film soundtracks just to enjoy the music from certain movies.

The first one is me, record with my cousins my dad's album

That’s why, for my first short film, The Fat Lady - She Just Wanted to Be Called by Her Name (coming soon!), music played a crucial role in the scene creation process. I’m so grateful to have been able to work with artists I admire, who kindly allowed me to use their incredible songs in the film.

Special thanks to Helena Cutter for her sexy and witty track "Your Time is Over," and the talented guys from Wonderhills for "Outside in the Morning," "Reflections" (so beautiful), and "Rogue Wind."

You can listen to all these tracks here or on the playlist below. I can’t wait for you all to hear them!

XO,

Rita Avellar

The Journey of Filming "The Fat Lady" Featured on Stage32

I'm, Rita Avellar, thrilled to share some exciting news! My journey of filming my first short film, The Fat Lady - She Just Wanted to Be Called by Her Name, has been featured on Stage32, the largest online community connecting and educating creatives and professionals in the global entertainment industry.

Creating The Fat Lady has been nothing short of transformative. From writing the script to directing, producing, and even playing a small role, this project has pushed me to new creative heights. Throughout the process, I was constantly inspired by the supportive and vibrant community at Stage32. It’s a platform that not only connects like-minded individuals but also provides invaluable resources and opportunities for growth.

I’m beyond grateful for everyone who has supported me on this journey. Whether you're a seasoned filmmaker or just starting, I encourage you to dive into the world of Stage32. It’s a place where creativity thrives, and dreams take shape.

Curious to learn more about my experience? Check out the full story on Stage32: Read the full story here.

Let's continue to inspire each other and create magic! 🎬✨